![]() ![]() ![]() Other combination reflectors feature slip-on covers to replace the reflective surface with silver, gold, black, and white. There may be gold on one side and silver on the other. Combination – A combination reflector will typically feature at least two different reflector colors.The translucent material is ideal for firing a flash or speedlight through and creating a soft light. Translucent – The translucent reflector doesn’t actually reflect light – however, many reflector kits include one.That way, the warm and cool light is directed to the subject. Zebra – A zebra reflector features stripes of two colors, such as gold and silver.A silver reflector is used outdoors to direct sunlight onto a subject. Silver – A silver reflector is a common choice as it reflects the light towards a subject without overly changing the temperature of the light.Gold can be used indoors or outdoors to cast a golden light on a subject. Gold – A gold reflector is a common choice for portrait photographers that want to add a sun-kissed look to photos.Black – Why would a photographer use a black reflector? The truth is that black surfaces are ideal for portrait photography to cut down highlights and cast more shadows on areas of the image.A white reflector bounces a good amount of light without causing excessive contrast in your photos. White – When people ask, “What is the best light reflector?”, I generally answer that it all depends on your style of photography – but for all-around use, a white reflector is best.Let’s take a look at the common colors so you know how to choose the best one for you. If you walk into a camera store or shop online, it’ll become evident that there are different colors of photography reflector available. Colourįor those new to using these, it raises the question: what colors are good reflectors? Learn how your comment data is processed.Here are the 5 key things you need to consider when choosing a photography reflector. Your email address will not be published. If you want to see more behind the scenes setups for food photography, case studies and how to create beautiful images with natural light then grab my ebook. Once you get the hang of this setup for food photography, you can then start to explore more light manipulation. At first, place the diffuser closer to the window than to your subject.įinally, if you need to light your subject more evenly, you’ll place a reflector on the other side of your scene to ‘fill’ your shadows. This will ‘diffuse’ the light to make it soft – we’ll cover this later. Next, you’ll place a diffuser between the light source (your window) and your subject. So your subject and the camera are next to the light source. You will place your setup so that it is next to a window, with the light falling onto your setup from either the side. Reflector – is placed opposite the light source to ‘reflect’ some light back onto your subject and scene.Diffuser – a placed between the light source and your subject.Sidelight – the light source is next to your scene.The basic setup for food photography to produce the soft light common in our niche is: This is a foundational setup from which you start to expand your light manipulation skills based on the mood and story you want to tell. The Basic Light Setup For Food Photographyįirstly, I’d like to say that I don’t particularly like the word ‘basic’ as it implies that nothing great will be achieved.
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